A puzzling series of oblique symbols has appeared on Radiohead’s official website, leading some fans to speculate that the band are using a secret code to drop hints about their next album. Which seems an overly-elaborate scheme: can’t they just send out a Myspace bulletin like everyone else?
Anyway, the fanciful notion that musicians, in their higher wisdom, can communicate profound truths via mysterious hidden messages, beyond the ken of mere mortals (for which read, non-fans), is one that stretches back through rock history...
New Order
Etched into the matrix of the fifth pressing of classic 12” single Blue Monday was the legend “WHERE’S MURDER?” And, on the flip-side, “I SAID WHERE’S MURDER?” A chilling Satanic incantation? Er, no. It was merely a nerdish reference to New Order obscurity Murder, which was only released as a single on Factory Benelux. Ooh, spooky.
The Beatles
Psycho cult leader Charles Manson believed The White Album was a coded message directed at him alone, spelling out an impending apocalypse, which he called Helter Skelter. Detectives who arrived at the scene of the LaBianca murders (the night after the more famous Tate murders) found that one of Manson’s crazed followers had scrawled “Healter skelter” in blood on a fridge door. Insane and dyslexic then.
Led Zeppelin
Check out this Youtube clip in which some desperate nerd - sorry, dedicated fan - attempts to prove that, if you play Stairway To Heaven backwards, you can hear Robert Plant muttering about Satan. Specifically, “Sad Satan’s little tool shed.” Eh? Are we talking about the Antichrist or Alan Titchmarsh here?
Coldplay
That X&Y cover: just a load of random coloured blocks, right? Actually, it’s a defunct form of telegraph communication, a sort of proto-Morse code, developed by Emile Baudot in 1874. Within the liner notes you’ll find a chart explaining how to translate the symbols on the cover. And the answer is…wait for it…X&Y. Christ, what a letdown.
7:12 PM | 27/09/2007
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